October 5, 2013


By the early 1970s, trumpeter Don Cherry had moved a long way—geographically and musically—from the music that had earned him a reputation as one of free jazz’s great innovators. Resident in Sweden, he had embarked on a pioneering exploration of world fusion music, incorporating a range of influences, notably African, Native-American, Indian and Middle Eastern. During this period, he still retained some links with his roots; in 1971 he was part of the ensemble that recorded Science Fiction with saxophonist Ornette Coleman. But increasingly the world influences were outweighing jazz in his music.
Recorded in the summer of 1972 with five different line-ups, in five different locations in Sweden and Denmark, Organic Music Society has long been unavailable and is now officially released on CD for the first time. Originally a double vinyl album, the CD runs for over 80 minutes. With only one of those five recording sessions being in a studio, the rest have variable sound quality, but that is not a major concern.
The album opens unpromisingly with “North Brazilian Ceremonial Hymn” which only consists of vocal chanting plus assorted percussion (it does include Nana Vasconcelos with whom Cherry would later form the trio Codona, alongside Colin Walcott). The piece contains lots of diffuse wordless chanting and tinkling bells but nothing to hint that Cherry is a great trumpeter. It lacks any sense of excitement, surprise or drama. Its twelve and a half minute duration feels far far longer.
The two-part Relativity Suite included here is a distant relative of the version that would eventually be released in 1973 on JCOA. Compared to that version, which features some awe-inspiring trumpet from Cherry alongside Carlos Ward on alto sax and Frank Lowe on tenor sax, this one centres on Cherry the vocalist and philosopher; interspersed with some wordless African chanting accompanied by drums and percussion, he recites his observations on a variety of topics including time, religion and meditation, none of which sound very profound or enlightening today—the world was a very different place back in 1972.
The album includes two different versions of “Terry’s Tune” by Terry Riley, an indication of where Cherry’s sympathies lay at the time. On the first, shorter, version, Cherry plays trumpet, exchanging phrases with Maffy Falay’s muted trumpet and Tommy Golman’s flute. A longer version finds Cherry and drummer Okay Temiz in the company of a youth orchestra that provides drone accompaniment; the track comes alive when Cherry injects some fiery trumpet.
Two other cover versions increase the quota of jazz relative to the world music. A taut version of Pharaoh Sanders’ “The Creator Has a Master Plan” is driven along by Cherry’s piano before being given added spice by trumpet solos from Flay and Cherry. “Bra Joe from Kilimanjaro” by Dollar Brand is a prolonged trumpet solo from Cherry accompanied by the youth orchestra and Temiz.
Organic Music Society will probably appeal most to Don Cherry devotees and completists. There is just enough good Cherry here to satisfy the faithful, even though it is rather diluted. For others, there are many Cherry albums to acquire before this one. The lasting message that the album leaves is that Cherry was at his very best when playing jazz trumpet rather than flirting with mystic chanting and philosophy. Altogether, rather a curate’s egg. (JOHN EYLES)
description from: http://savagesaints.blogspot.co.uk/2013/10/don-cherry-organic-music-society-1972.html 

April 16, 2013


Ballake Sissoko And Vincent Segal - NPR Music Tiny Desk Concert

January 22, 2013
West-African Percussion Pages for rhythm information & notation

loads of PDFs of examples of rhythms with parts for the different instruments involved, and the rhythms’ traditional usage. 

January 6, 2013
Indonesian Gamelan Rhythms

January 4, 2013


Simon Shaheen - Oud - Blue Flame (par chiasa88)

January 4, 2013

(Source: leadingtone)

January 4, 2013

World music television documentary about West African jazz fusion group Source.

January 4, 2013

Tounani Diabate

January 4, 2013

Sample of Music from West Africa

I recorded many artists to inspire people to travel and connect with the lovely continent of Africa. I met these folks while randomly traveling the world on a tandem bike Peace Pedaling and they shared their beautiful messages & rhythms to share with you. Enjoy and keep an eye at www.peacepedalers.org for info on the movie and TV series :)

January 4, 2013

Music Video : Folk Music of Mali (Western Africa)

Republic of Mali is a landlocked country in Western Africa. Mali was once the part of three famed West African empires which controlled trans-Saharan trade in gold, salt and other precious commodities. Mali is now divided into eight regions and one district.

Malian musical traditions are derived from the griots, who are known as “keepers of memories.” Mainly the Malian music tells a story through sound.

A music group of Mali performed in Jaipur (India) on June 01, 2012. This musical performance was an effort of cultural exchange by Malians. The program was organised by ICCR (Indian Council for Cultural Relations).

January 4, 2013

Guinean Drum Troupe

January 4, 2013

Free Drum Lesson Video: Applying traditional West African Rhythms

January 4, 2013

Ghanaian Ewe Agbadza rhythms on the Drumset

7:08am  |   URL: http://tmblr.co/ZD9UWtawmRE-
Filed under: ewe ghana percussion 
January 4, 2013

AWA Guinean Drums — part 2

January 4, 2013

AWA Guinean Drums — part 1

4:04am  |   URL: http://tmblr.co/ZD9UWtav_bPa
Filed under: guinea drums percussion 
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